WITNESSarchive

Human Zoos

Belgium, the United States and Germany

W–048

In 1897, 267 people were brought from Congo to the Brussels International Exhibition. AfricaMuseum explicitly describes their removal as forced. Three fenced “villages” were built for them at Tervuren, where the exhibition held its colonial section. In the late nineteenth and early twentieth centuries, international exhibitions and amusement parks displayed people from colonised countries in such purpose-built “villages”. An encounter with another culture became a performance, while colonial rule was justified as a means of “civilising” its participants.

1. The girl by the wooden rail

A girl in a dress sits beside a wooden post; men in suits stand behind a rail, with adults nearby
A girl beside a fence at Coney Island. Her name and the date of the photograph are unrecorded. The negative is inscribed 'Filipino baby Coney Island'.Bain News Service, publisher · Library of Congress, LC-B2-807-6
Provenance and sources for frame 1

File and rights
Original is an undated glass negative; no photographer is named. This 5,803 × 4,178 digital copy of the Library of Congress scan was obtained through Wikimedia Commons. The Library states that there are no known restrictions on publication. No generated detail or colourisation has been added.

Library of Congress: negative LC-B2-807-6File on WITNESS · 5803 × 4178

2. Filipinos at Dreamland

People within a fenced area, spectators behind them and a handwritten Dreamland inscription on the negative
Filipinos sit and stand within a fenced display as spectators look on. The glass negative is inscribed “Filipinos at Dreamland, Coney Island”. The archive does not establish the exposure date.Bain News Service, publisher · Library of Congress, LC-B2-810-5
Provenance and sources for frame 2

File and rights
Digital copy of a Library of Congress glass negative, 5,767 × 4,248. The catalogue date, 27 May 1907, refers to creation or later publication by Bain, not a confirmed exposure date. The title derives from agency information that the archive has not verified. No known publication restrictions. This is a separate negative; a shared photographic session with the opening frame is unproven.

Library of Congress · LC-DIG-ggbain-03959File on WITNESS · 5767 × 4248

A separate, fourth display was called the “village of Gijzegem”, after the Belgian commune where Abbot Van Impe taught young Congolese people. They were presented as evidence of his “civilising” work. The exhibition helped Leopold II seek support and investment for his colonial project.

3. A village at Tervuren

People sitting and standing by a thatched house, with spectators beyond a fence at right
Participants in the colonial exhibition beside a thatched house at Tervuren. Visitors are visible beyond the fence at right. Alphonse Gautier, 1897.Alphonse Gautier · AfricaMuseum, HP.1946.1058.1-32
Provenance and sources for frame 3

File and rights
A 750 × 489 museum digital copy from an Alphonse Gautier album. AfricaMuseum identifies it as HP.1946.1058.1-32. No licence is stated for the digital file; © AfricaMuseum.

AfricaMuseum · HP.1946.1058.1-32File on WITNESS · 750 × 489

4. The “village of Gijzegem”

Children in sailor suits and adults stand beside a pavilion with a thatched roof
Participants in the “village of Gijzegem”, described by the colonial exhibition’s organisers as “civilised”. Alphonse Gautier, Tervuren, 1897.Alphonse Gautier · AfricaMuseum collection, Tervuren
Provenance and sources for frame 4

File and rights
Photograph from an Alphonse Gautier album at AfricaMuseum. The 4,276 × 3,079 file comes from Wikimedia Commons. Commons marks the historical photograph public domain, but the file retains an NPR instruction limiting use to one occasion. Permission to reuse this particular digital copy has not been established. This is a different frame, not a larger version of museum photograph HP.1946.1058.1-32.

AfricaMuseum / Wikimedia Commons · 1897File on WITNESS · 4276 × 3079

The summer was cold and wet. Many participants fell ill, and seven died. Refused burial in the local cemetery, they were buried in unconsecrated ground. Their remains were later moved to the grounds of St John the Evangelist church in Tervuren. Contemporaries criticised the treatment of the Congolese, and their deaths caused a scandal. In 1898, the Colonial Palace nevertheless became a permanent Congo museum.

Zoos also put such shows on their programmes. In Hamburg in 1875, animal dealer Carl Hagenbeck exhibited Sámi people with reindeer. His business combined animal displays with performances by people brought from different countries. Around 1900, Hamburg also hosted Gustav Hagenbeck’s “Indian show”. A postcard shows participants standing beside elephants before a palace backdrop. The show carried its organiser’s name; the catalogue does not name the people pictured.

5. Indian show in Hamburg

People with drums and banners stand beside elephants before a palace backdrop
Participants in Gustav Hagenbeck’s “Indian show” with elephants in Hamburg, around 1900. A postcard from the Zeno collection; the participants are unnamed.Photographer unknown · Zeno.org / Wikimedia Commons
Provenance and sources for frame 5

File and rights
Historical postcard scan, 2,205 × 1,390, Zeno no. 20000612235, via Wikimedia Commons. The catalogue names Gustav Hagenbeck and dates the show to 1900. This is not a photograph of Tierpark Hagenbeck, which opened in 1907. Commons marks both postcard and reproduction public domain.

Zeno.org / Wikimedia Commons · circa 1900File on WITNESS · 2205 × 1390

At St Louis in 1904, the Philippine exhibition served a similar purpose: to show Americans their new colonial possession and justify US rule there. The fair also staged Anthropology Days, recruiting people from its ethnographic displays. Contests in throwing, archery and other exercises were intended to support the organisers’ racist belief in white Americans’ physical superiority. They were separate from the official Olympic Games. Truman Hunt ran the fair’s “Igorrote village”. After the fair closed, he returned to the Philippines to recruit a new group to take to America.

6. Visayan participants

A group of girls and young women in pale dresses pose before a woven wall
A posed group portrait of Visayan girls and young women in the Philippine section of the St Louis World’s Fair. Jessie Tarbox Beals, 1904. The caption does not give their names.Jessie Tarbox Beals · Missouri History Museum, WF NS 1028 / 16464
Provenance and sources for frame 6

File and rights
A 5,517 × 4,267 digital copy of a museum print, obtained from Wikimedia Commons. Missouri History Museum records the copyright status as undetermined; its general open-access policy does not resolve that uncertainty. The scan retains a © 2007 Missouri Historical Society credit. The photograph dates to 1904, museum identifier WF NS 1028 / 16464.

Missouri History Museum / Wikimedia Commons · 1904File on WITNESS · 5517 × 4267

7. Archery at Anthropology Days

A person draws a bow in the foreground; people in feather headdresses and European clothing stand behind
Native Americans practise archery during Anthropology Days at the St Louis World’s Fair, 1904, according to the museum caption. These contests were separate from the official Olympic programme.Attributed to Jessie Tarbox Beals · Missouri History Museum, N20667
Provenance and sources for frame 7

File and rights
A 5,585 × 4,434 museum digital reproduction from Wikimedia Commons, catalogue record 146019, identifier N20667. The attribution to Beals is tentative. Museum data records copyright as undetermined, while Commons marks the historical photograph public domain. The scan retains the © 2007 Missouri Historical Society credit.

Missouri History Museum / Wikimedia Commons · 1904File on WITNESS · 5585 × 4434

In May 1905, 51 people from the Bontoc region of the northern Philippines arrived at Coney Island. Luna Park opened a “village” where visitors paid admission. Hunt promised each participant monthly wages and earnings from the sale of their handmade goods. The full terms of the agreements are not known. Visitors bought a ticket to see life in the Philippines; Hunt determined what they saw.

Participants were made to build structures over and over, stage ceremonies and hold “dog feasts”. Newspapers spread Hunt’s sensational accounts. According to research by the Coney Island Museum, people complained of long hours, inadequate food and being forbidden to leave the site. Part of the group was moved to the neighbouring Dreamland park in August 1905. Their stay at Coney Island ended in September, but the tour of America continued.

8. People in an exhibition village

Several people beside a thatched structure in a fenced area
People sit beside a thatched structure. Writer Claire Prentice publishes the picture as showing Filipino participants at Coney Island; the original archival print and precise date have not been traced.Photographer unknown · reproduction published by Claire Prentice
Provenance and sources for frame 8

File and rights
A photograph of a printed illustration published on Claire Prentice’s site, 2,398 × 930. This is a cropped published reproduction; the original print, repository and rights remain unknown. The location comes from the researcher’s caption. The origin of its yellowish tone is undetermined.

Claire Prentice: Coney Island photo essayFile on WITNESS · 2398 × 930

9. Entrance to Luna Park

Visitors in front of a gate marked Luna Park, flanked by tall towers
The main entrance to Luna Park at Coney Island. The Library of Congress dates the Detroit Publishing negative to between 1903 and 1906. The Bontoc exhibition is not visible.Detroit Publishing Co. · Library of Congress, LC-D4-16699
Provenance and sources for frame 9

File and rights
Glass negative no. 016699, catalogued between 1903 and 1906, not necessarily in summer 1905. The accessible 5,187 × 4,061 copy comes from Claire Prentice's site and matches the number and composition in the Library of Congress record. The Library states no known restrictions on publication.

Library of Congress: Detroit negative LC-D4-16699File on WITNESS · 5187 × 4061

10. Visitors at Dreamland

Crowds among Dreamland attractions, miniature railway tracks in front and the Steeplechase Park tower beyond
Visitors and attractions at Dreamland, around 1905. This is a view of the park, not a photograph of the Bontoc exhibition. The tower of the neighbouring Steeplechase Park rises in the distance.Detroit Publishing Co. · Shorpy digital reproduction / Wikimedia Commons
Provenance and sources for frame 10

File and rights
Historic Detroit Publishing glass negative, circa 1905. The available 3,600 × 2,885 JPEG is a Shorpy digital reproduction shared through Wikimedia Commons, with its watermark intact. Metadata records Photoshop processing, so this file is not presented as an untouched archival scan. Commons marks the historical image public domain; the negative has not yet been matched to a catalogue number.

Wikimedia Commons: Dreamland Park at Coney Island, c. 1905File on WITNESS · 3600 × 2885

After leaving New York, participants told authorities that Hunt had withheld their pay. He was arrested in October 1906 and spent eight months in jail.

11. Dreamland after the fire

A wide panorama of the burned park grounds, temporary tents and crowds along neighbouring streets
A panorama of Dreamland after the fire of 27 May 1911. Charles E. Stacy claimed copyright in the photograph; the Library of Congress dates it to 1911.Charles E. Stacy, copyright claimant · Library of Congress
Provenance and sources for frame 11

File and rights
Library of Congress gelatin silver print, circa 1911; copyright deposit recorded on 8 June 1911. The public 2,891 × 698 TIFF on Wikimedia Commons was converted to PNG without cropping. The Library states no known restrictions on publication.

Library of Congress: Destruction of Dreamland, 1911File on WITNESS · 2891 × 698

The photograph of the girl is often linked to the summer of 1905 and Hunt’s group. The Bain News Service negative itself says only “Filipino baby Coney Island”; the Library of Congress establishes neither the year nor the park. Her connection to that group is also unproven. The archive record gives no name and no account of her life after Coney Island.

The displays continued in Hamburg. In 1909, Kaiser Wilhelm II visited Carl Hagenbeck’s zoo and spoke to participants in a display. The company continued to stage such shows after the First World War. According to Tierpark Hagenbeck’s published history, it organised more than 70 over six decades, in Hamburg and elsewhere. The last at Stellingen took place in 1932, when Circassian horse riders performed for the zoo’s twenty-fifth anniversary.

12. Wilhelm II at Hagenbeck’s zoo

Wilhelm II, wearing a peaked cap, faces people in draped garments; men in coats and top hats stand nearby
Kaiser Wilhelm II talks to participants in a display at Hagenbeck’s zoo, Hamburg, 1909. The German Federal Archives describes them as “Ethiopians”; their origin has not been independently verified.Photographer unknown · Bundesarchiv, Bild 183-R52035 · CC BY-SA 3.0 DE
Provenance and sources for frame 12

File and rights
The first digital version uploaded by Bundesarchiv to Wikimedia Commons in 2008, 800 × 535, including the lower margin and archival caption. Later versions measuring 800 × 512 and 790 × 502 are cropped. This edition uses the early upload without further cropping. CC BY-SA 3.0 DE; required credit: Bundesarchiv, Bild 183-R52035.

Bundesarchiv / Wikimedia Commons · 1909File on WITNESS · 800 × 535

13. Woman and children at a fence

A woman holding a child beside a wire fence, with children behind her
A woman holds a child beside a fence, with other children behind her. A later photo essay places the image among “human zoos”, but its location, date and circumstances have not been documented.Photographer and archive unknown · reproduction via Disgusting Men
Provenance and sources for frame 13

File and rights
A 640-pixel-wide reproduction. Original print, photographer, date, place and reuse rights are unknown; its link to human exhibitions is provisional.

Disgusting Men: secondary photo essay, identification unverifiedFile on WITNESS · 640 × 619

14. A path beside a fence

A woman in a pale skirt stands by a wire fence with people behind it; a man is on the path at right
A woman in a pale skirt stands by a fence with people behind it; a man in uniform is at right. Disgusting Men places the image beside its account of Wilhelm II in Hamburg in 1909. The original source, location, date and identities have not been established.Photographer and archive unknown · reproduction via Disgusting Men
Provenance and sources for frame 14

File and rights
A 640-pixel-wide reproduction. Original print, photographer, date, place and reuse rights are unknown; its link to human exhibitions is provisional.

Disgusting Men: secondary photo essay, identification unverifiedFile on WITNESS · 640 × 411

At the 1958 Brussels World’s Fair, a “Congolese village” appeared again. More than 600 Congolese had come to Belgium; 120 were displayed by day in the “Tropical Gardens”. Racist treatment by visitors provoked protests. Many participants left, and the village closed early. Eight-month-old Juste Bonaventure Langa died during Expo 58; the cause is unknown. Congo became independent just two years after the exhibition.

15. Girl beside a fence

A woman leans across a fence and reaches towards a standing girl, with a crowd behind the fence
A woman reaches towards a girl across a fence. Disgusting Men assigns the photograph to the Congolese display in Brussels in 1958. Archival attribution and the child’s identity are unconfirmed; the object in her hands is unidentified.Photographer unknown · reproduction via Disgusting Men
Provenance and sources for frame 15

File and rights
A 640 × 512 reproduction. Later publications assign this frame to Expo 58, but no archival original or independent attribution has been found. Rights in this digital copy are unknown.

Disgusting Men: unverified image attributionFile on WITNESS · 640 × 512
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